First of all there is the dazzling gold setting off the Madonna's outline, with angels emerging from it.

Ambrogio Lorenzetti, (born c. 1285, Siena, Republic of Siena [Italy]—died c. 1348), Italian artist who ranks in importance with the greatest of the Italian Sienese painters, Duccio and Simone Martini.He is also the younger brother of painter Pietro Lorenzetti.Only six documented works of Ambrogio, apparently covering a period of merely 13 years, have survived.

Ambrogio Lorenzetti followed the examples of the Maestà representations by both Duccio and Simone Martini. Though small, it is breathtakingly beautiful. Pietro Lorenzetti (Italian pronunciation: [ˈpjɛːtro lorenˈtsetti]; c. 1280 – 1348) or Pietro Laurati was an Italian painter, active between c.1306 and 1345.

Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art.In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Small Maestà 1335-40 Tempera on wood, 49 x 32,5 cm Pinacoteca Nazionale, Siena: One of the high points of small-scale Sienese painting is the so-called Small Maestà by Ambrogio Lorenzetti. ‘Small Maestà’ was created in 1340 by Ambrogio Lorenzetti in International Gothic style. ‘Madonna with Angels and Saints (Maestà)’ was created in 1335 by Ambrogio Lorenzetti in International Gothic style. This masterpiece was created during the mature years of the painter, who united a vibrant feeling of maternal love with customary medieval symbols, particularly in the pose of the Madonna, who is about to seal her deep bond to the Child with a kiss.